Marketing Collateral
Brochures, flyers, one-pagers, leave-behinds and sell sheets, laid out so the reader can find the thing they came for.
Print Design
Print is unforgiving, so we set it up properly. Brochures, signage, large format and everything in between, prepared to press-ready specification so the colour you approved is the colour you receive.
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Marketing Collateral
Brochures, flyers, cards and one-pagers
Large Format
Signage and displays that read from distance
Press-Ready Files
Correct bleed, trim and colour every time
The Problem
A website can be fixed in an afternoon. A print run of five thousand brochures with the wrong colour profile is five thousand brochures in a skip, and the invoice does not care that it was a file problem.
Most print mistakes are not design mistakes. They are preparation mistakes: no bleed, type sitting too close to the trim, RGB artwork sent to a press that needs CMYK, a logo placed at screen resolution that turns to mush at A3. The design looked fine on the screen it was approved on.
Digital-first teams make these mistakes constantly, because nothing in a browser teaches you about them.
The Solution
We design print the way print needs to be designed: at actual size, in the right colour space, with the trim and the fold accounted for from the first layout rather than fixed at the end.
Our designers have worked with commercial printers for years, so the files we hand over are files a printer can run without a conversation. Correct bleed, correct trim marks, fonts outlined or packaged, images at press resolution.
You approve something that matches what comes back from the press, which is the entire point.
What We Design
Marketing Collateral
Brochures, flyers, one-pagers, leave-behinds and sell sheets, laid out so the reader can find the thing they came for.
Stationery & Business Cards
The pieces people physically hold, where paper stock and finish do as much work as the artwork does.
Large Format & Signage
Banners, posters, window graphics and displays, composed to read at the distance they will actually be seen from.
Press-Ready File Prep
Bleed, trim, colour space, resolution and fonts all handled, so your printer receives artwork that runs first time.
Who This Is For
How It Works
We get the print spec first: size, stock, finish, fold, colour process and printer. Every one of those changes the design.
We lay out the piece at actual size, in the correct colour space, with trim and fold built into the composition rather than applied afterwards.
We review at real scale and, where it matters, against a physical proof, because a screen will lie to you about print.
We package the files exactly as your printer requires, with bleed, marks, fonts and image resolution all checked.
Your printer gets a file they can run, and you get the source files for future revisions.
Common Questions
Yes, and it makes things easier. Give us their spec sheet and we will build to it directly.
We will tell you what the piece needs and what to ask for, so you can get comparable quotes rather than guesses.
Yes. You get packaged source files as well as the press-ready PDFs, so future changes do not mean starting again.
Yes, and it takes deliberate work. Screen colour and print colour behave differently, so we handle the translation rather than hoping it lands.
Book a demo and we will talk through what you are printing and get the specification correct before it goes to press.
Book a Demo